All pages have their own sound sample! Just wait a few seconds, turn up your volume!

Way Overdue Productions and Publishing

 

 

 

 

Gerald Kent has performed with the following artists and musicians:

 

            Brainstorm (Tabu-RCA/CBS records), 1976-1978, winner of Billboard Magazine Light Radio/ Heavy Disco Record of the Year 1978; IDMR Detroit choir, 1979-present; Earl Van Dyke; Delbert Nelson (who performs with the Funk Brothers); Trenita Womack (who performs with the Funk Br.); Ortheia Barnes; McKinley Jackson; Cleveland Horne (of the Fantastic Four); Donna Curtin (with the Funk Br.); Nature; Ron DiPalma; Dr. Teddy Harris Jr.; Marcus Belgrave; Deblon Jackson; Sons;  Carolyn Crawford, of Motown records; Hubie Crawford; Soupy Sales and Scatman Crothers; John Amore; Marcus Terry (my first pro recording session, a tune about Evel Knievel and his famous jump—good for $90.00); pianist Tom Powers; Jimmy Hunter; Mark R. Kent (now with his own CD, The Boy from Skibberdeen); Some Mickey Mouse Band, 1973  (yes, that’s the name; Al, the drummer, had a real knack for keeping this cover band working for a decent wage...still with us, Al? Flash update– Yes, he and Paul and Mark are still around), 1973; The Jerry Kent Conspiracy, 1974 (his last official effort at being a pop vocalist); Nickels and Dimes (of Atlanta, GA.), 1972;  Dallas Hodge and Salvage, 1971; Air Hammer, 1971; Mike Darian and Art Moross, 1971 (playing “Born to be Wild” and “Feeling Alright?” 4 times a night for $25/night); scores of other artists and vocalists he can’t remember. He appeared on Soul Train in April of 1977.(He still has the Sony U-matic tapes). Brainstorm’s music was featured in the Mike Meyers movie ”Studio 54”.

 

               Gerald has been part of the following tours and concert venues: Isley Brothers and Teddy Pendergrass (1978); Marvin Gaye (1978); the Jacksons (1977 and 1978); Rose Royce (1978); Brothers Johnson (1977): Sister Sledge (same); Edgar Winter’s White Trash and Canned Heat (1971); Iron Butterfly, Grande Ballroom, 1968. He appeared at Olympia Stadium, Detroit (now gone); Apollo Theater, Harlem; Cobo Arena and Hall; Ford Auditorium (great venue, now unused); Hart Plaza, Detroit; P-jazz, Detroit (1981); arenas throughout the U.S; countless halls, gyms, coffee houses, clubs, bars, dives, frat parties, dances, weddings, back yards, basements; his first pro job was a junior high dance in St. Clair Shores in 1967, for $5.00, playing soul hits and Beatles; the band was the “Fourth Flight”. FLASH! George Kerby, old friend and bass player, has a photo of this event at http://www.gkerby.com/fourthflight.html. This will get you to his website as well. (the band was not too well received playing Hendrix and Cream at a Selfridge Air Force Base dance…) (Note the $79.00 Crestwood 335)...

 
Text Box: Brainstorm: A View from the Inside, 1975-1978 Ah, Brainstorm! I first met Chuck Overton, Treaty Womack and Belita Woods while I worked with keyboardist Ron Dipalma, with Detroit R&B Diva Ortheia Barnes as vocalist, in a club-restaurant in Ferndale, Michigan. I shared Chuck’s hope to blend positive thinking and spirituality as the basis for superior music expression. They came to ask me to audition…yes, I was excited. Brainstorm was well known in Southeast Michigan as a very hot club act, and was being scouted by nationally known industry professionals. Chuck (leader, tenor and alto sax, vocals, writing), Belita (vocals extraordinaire, and writing), Treaty (congas, flute, vocals, and writing), Bob Ross (keyboards and writing), Larry Sims (trumpet and writing), Eugene Lamont Johnson (bass guitar, vocals and writing), Renell Gonsalves (drums and writing), and David Myles (guitar) had assembled a unit that really heated up the Detroit area live scene for about a year. I was called in late 1975 to learn the repertoire, and toured with the band shortly after. Trombonist Jeryl Bright soon joined the horn section. What an addition! (He has since been a long-time member of Cameo and others, and his horn and arrangements are included in an Outkast track for the 2006 movie “Idlewild”; Larry Sims later worked with the famous Sounds of Blackness). Jeryl “brightened” the brass and contributed much writing. The band was discovered by industry icon Clarence Avant, and we soon recorded a demo locally. This led to a contract with Clarence’s TABU label and recording sessions at Total Experience studios in Los Angeles, and later United Sound in Detroit, with Jerry Peters producing. The first LP, “Stormin’ “, was released not long after. My own composition, “Wake Up and Be Somebody” was chosen as the first 45 single release; soon came the release of “Lovin’ is Really My Game”, written by Treaty and Belita. This was to become 1978 Billboard Magazine Light Radio/Heavy Disco Record of the Year. Well deserved, that. The record was hot on the east coast and played regularly on such shows as “Dance Fever”, and recently included in the Mike Meyers movie “Studio 54”. I thought that Lamont’s and Belita’s fine vocals on “This Must Be Heaven” qualified the cut for a 45 single release (and still could!); the local R&B stations in Detroit still play it regularly. We appeared on “Soul Train” in April of 1977, along with “Archie Bell and the Drells”. (Our outfits were a sight!). Actually, though everybody lip-synced on Soul Train, I thought the band did a credible job! I still have that broadcast on Sony U-Matic tape somewhere… (how 20th century!) Bob Ross left the band in 1976, (I understand he is now producing on the west coast) and William Lloyd Wooten, late of the Dramatics, joined the group. (He still tours with them and the Spinners). He wrote for the second LP, “Journey to the Light”, which is now available on CD, a tune “If You Ever Need to Cry”. Lamont, who I remember as having a unique command of the Fender Fretless Bass, departed the organization around early 1977; he has a current release (http://www.cdbaby.com/cd/lamontj). Bassist Deon Estes came in with his Jazz-bass tone and tenor voice, to carry on (He went on to work with George Michael and release his own, a 45, “Heaven Help Me”). The second LP was completed in 1977 and once again they chose my composition, “On Our Way Home”, as the single release; a Stevie Wonder composition, “Every Time I See You I Go Wild”, was included in the collection. A special note about Belita- what a special voice! As time went on, she developed a sultry tenor-ish range to her abilities. She has been working with Mothership Master George Clinton. Brainstorm went on tour with Marvin Gaye, the Isley’s (a very professional tour), Johnny Guitar Watson (nice guy, he was), Rose Royce and many other artists; early 1978, we shared stage in Washington DC with an up-and-comer named Peabo Bryson (I took special note that night). Singers Delbert Nelson and Misty Love joined the tour, adding wonderful vocals. For my reasons, I departed the band in 1978. A third LP, “Funky Entertainment”, was released. (“Hot For You” was a memorable track!) About Treaty-- I have worked with her in the IDMR Detroit Choir (see them on the closing scene of “Standing in the Shadows of Motown”) for many years. Recently, she was called to tour with the fantastic Funk Brothers (along with Delbert and Misty Love); a fitting tribute to her fantastic gifts. Renell went on to work with such artists as Alexander Zonjik; he developed a fine Latin style (his father, Paul Gonsalves, was famous as a saxophone player with Duke Ellington and other jazz greats). Universal Music Group now publishes Brainstorm’s compositions. Though Brainstorm’s popularity was short-lived, it will be remembered as being not only a collection of great talent, but even greater than the sum of its members’ contributions! So! Let’s all “Keep on Stormin’…”-----------Gerald Kent